Indie Roll film Finance together with Movie Submitter – Skating Honeymoon vacation photos

Indie film financing and movie distribution reminds of what it would feel just like dancing nude on stage (much respect for exotic dancers at Larry Flynt’s Hustler Club!). You show up to pitch your movie project and have to manage to dance to a video investor’s music. It’s their stage and not yours as an indie filmmaker seeking film funding. They need you to produce a sellable movie which attracts movie distributors so the production may make money.

Most investors I’ve met with aren’t enthusiastic about putting hard money into indie art house films because those are tough sells to movie distributors and overseas film buyers aren’t usually enthusiastic about seeing them. The dialogue and scenes of certain art house type films don’t translate well to foreign buyers and movie viewers. Action, horror and skin does not need subtitles for people to follow the story is what I’ve been told by distributors. Talking head movies may make no sense to viewers that don’t understand subtle lines spoken in a foreign language.

Independent film financing continues to alter as indie movie distribution gets more financially shaky. The area it’s hitting indie movie producers hardest is right at the origin – film financing. Film investors today aren’t feeling worked up about putting money into movies that not need bankable name actors. This is simply not like so-called indie movies that have A-list actors or are produced for countless dollars. Those kind of indie film passion projects you may make once you’ve made it in the entertainment business at the studio level.

Indie film investors and movie distributors won’t expect you to have an A-list actor, but they do want producers to own actors (B-list or C-list or D-list) with some name recognition or celebrity. The first question film investors and movie distributors ask is who the cast is. That is where most indie movie producers are blown out of the water because they have an unknown cast of actors. Plus there’s a glut of indie movies being made because technology has made it less expensive to make movies.

The bright side is that entertaining indie movies are being made that might not otherwise ever have observed light of day before. The downside is meaningful movie distribution (getting paid) for indie produced films continues to shrink as indie films being made rises (supply and demand 101). I talked to 1 movie distributor that suits releasing independent films and they said they receive new film submissions daily.

These were honest saying they get very sellable movies and ones which can be less than appealing, but with so many movies available they no more offer a lot of producers advance money against film royalties or pay a lump cash “buy-out” to secure distribution rights. Their business viewpoint is most indie filmmakers are simply happy seeing their movie released. The definition of they used was “glorified showreel” for an indie filmmaker to display they could create a feature film. So, they acquire many of the movie releases without paying an advance or offering a “buy-out” agreement.

Not building a profit from a movie doesn’t make financial sense for film investors that expect you’ll see money made. When people put up money to make a movie they need a get back on the investment. Otherwise it’s no more a movie investment. It becomes a video donation of money they’re offering without any expectations. I’ve been on the “dog and pony show” circuit ending up in potential film investors and learning invaluable lessons.

I’m in the habit now of conversing with indie movie distributors before writing a screenplay to see what forms of films are available and what actors or celebrity names attached to a possible project interest them. This is simply not like chasing trends, but it offers producers a sharper picture of the sales climate for indie films. Sometimes distributors will give me a brief set of actors or celebrities to think about that suit an independent movie budget. Movie sales outside of the U.S. are in which a bulk of the cash is good for indie filmmakers.

Movie distributors and film sales agents can let you know what actors and celebrity talent is translating to movie sales overseas at the indie level. These won’t be A-list names, but having someone with some type of name is a superb feature to help your movie standout from others. Brief cameos of known actors or celebrities used to be a good way to keep talent cost down and put in a bankable name to your cast.

That’s changed lately from my conversations with distribution companies. Movie distributors now expect any name talent attached to have a meaningful part in the movie rather than a few minutes in a cameo role. Cameo scenes can still work when there is a visible hook that grabs the interest of viewers in some way. But having name talent say several lines without any special hook won’t fly anymore.

Another way to make an indie film in need of funding more appealing to investors is to install talent that has been around a movie or TV show of note. Their name as an actor might not be that well-known yet, but rising stars that have appeared in a well known movie or TV show can provide your movie broader appeal. In the event that you cast them in a supporting role keep working days on the set right down to the absolute minimum to save lots of your budget. Make an effort to write their scenes so they can be shot in one or two days.

When you’re pitching to serious film investors they may wish to be provided with an in depth movie budget and distribution plan how you plan on earning money from the film’s release. The Catch-22 that occurs a great deal is that a lot of movie distributors that cater to releasing indie films won’t commit to any deal until they’ve screened the movie.

There is not built-in distribution as with studio budget films. Film investors that are not traditionally part of the entertainment business will get switched off each time a producer does not need a distribution deal already in place. They don’t understand the Catch-22 of indie filmmaking and distribution. That is in which a movie producer really needs a good pitch that explains the financial dynamics of indie film distribution.

Most film investors will pass on an indie movie producer’s financing pitch that mentions self-distribution in it. From a movie investor’s business perspective it will take entirely too long for an indie movie to generate money going the self-distribution route. It’s such as the old school method of selling your movie out of the trunk of your car at places, nevertheless now it’s done online using digital distribution and direct sales using a blog. That’s an extended grind that a lot of investors will not be thinking about holding out for. Moving one unit of a movie at the same time is too slow of trickle for investors.

A possible way around the Catch-22 is always to reach out to movie distributors while you are pitching to film investors. With a strong budget number and possible cast attached you are able to gauge to see when there is any meaningful distribution interest in the movie. It’s always possible a distributor will show you that they’d offer an advance or “buy-out” deal. They usually won’t give you a hard number, but even a ballpark figure of what they may offer can let you know if your allowance makes financial sense to approach movie investors with.

I know one savvy indie movie producer which makes 4-6 movies per year on very reasonable budgets and knows they’re already building a profit from the advance money alone. The film royalty payments really are a bonus. The producer keeps budgets extremely affordable and streamlined at every phase of production. When you have a history with a distribution company guess what happens you are able to expect you’ll be paid. Then you can offer film investors a percent on the money invested to the production which makes sense.

Social networking with other indie filmmakers enables you to hear what’s happening with movie distribution from other people’s true to life experiences.  ดูหนังออนไลน์ฟรี A very good thing I’ve been hearing about is there are film investors that won’t put up money to make movie that is going to be self-distributed, but they will roll the dice on an element that is going to specific film festivals. Not the art house film festivals. Those that are very genre specific like for horror or action films. Like Screamfest Horror Film Festival or Action on Film (AOF). Film buyers attend these events and meaningful distribution deals are made.

Independent film financing and movie distribution are regions of the entertainment business all filmmakers must cope with and study from each experience. I was in the hot seat today pitching to a video investor. I’ve streamlined the budget as much as I could without making the plot lose steam.

The jam I’m in as a company is you can find hard costs that cannot be avoided that include a lot of gun play including two rigging shots where baddies get shot and are blown backwards off their feet. Badass action films need experienced and seasoned film crews to pull-off hardcore action shots off clean and safe. The cast I wish to hire has the perfect appeal and name recognition for this indie action movie to rock viewers. There is nothing that will get lost in the translation in this film for foreign film buyers and movie viewers.

Indie film financing and movie distribution reminds of what it would feel just like dancing nude on stage (much respect for exotic dancers at Larry Flynt’s Hustler Club!). You show up to pitch your movie project and have to manage to dance to a video investor’s music. It’s their stage and not yours as an…

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